Saturday, November 15, 2008

The Yale University Art Gallery







Hi Gang - today I went to the Yale University Art Gallery. I invite you to check out my blog at http://hmcole.blogspot.com/. You are allowed to take pictures on the second and third floors which belong to the permanent collection but you cannot take pictures on the first and fourth floors. They have everything from African, Asian, and European art all the way up to modern art. I know Ron already posted some great photos of African art on his blog but I just got such a kick out of them, I wanted to add a few more.
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I will post some more pics on my blog.
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The following pics are from the Yale Art Gallery. Best, Ulysses
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The following pictures are from the Yale Art Gallery. Best, Ulysses.
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Friday, November 14, 2008

Hello Everyone,
There will be a change in my Museum Schedule, Saturday Nov. 15th I will be going to the New Britain Museum of American Art. They have a great web site, check it out. I will return Sunday hopefully with lots of pictures.

Linda

Tuesday, November 11, 2008

A day to remember


Ok, I finally got through the technical difficulties of cutting and pasting into the blog. So easy was the first time around, not sure why I had so much trouble this time around.

Anyhow, I had a great time visiting my second outing, this week.

Here is my link to my blog http://ronexperience.blogspot.com/




Ron.
Artist - Howardena Pindell.
The painting is title 'Water/Ancestors/MiddlePassage/Family Ghosts'

Monday, November 10, 2008

SimplyKish




Hello everyone, I would have to say that I was thrilled to go on my first Art Experience at the Yale Art Museum. The time that my children and I spent at the museum was priceless, and their behavior was exceptional. I don't know if anyone could relate to this, but when you walk into a structure that is filled with so much history and inspiration - it does something to you. It gives you this energy that I can't really put into words. It's as if you are witnessing some type of epiphany. I mean to be in the same room with art work that was created from the 15th century is amazing. I took a picture of the one piece of work that captivated me to the point that I had to pull myself away from the woman eyes. The creator was Alexandre Cabanel. It is a french painting called Miss Fanny Clap in 1881. I apologize about the rotation I can't seem to rotate the picture after downloading. But what really got me about this painting was the detail, the lifeless the woman's face. It was amazing how you couldn't even see the actual brush strokes. I researched Cabanel, I found that he was known to paint historical, classical, and religious subjects. He was a well know portrait painter, and if I am not mistaken the portait of Miss Fanny Clap had a romantic story behind it. I believe that her painting was done in secrecy for the purpose of marriage. However, I could be wrong and if I am, please correct me.

Lakisha.....

Lakisha... create your own blog and put your paper there, please....let us know the address so I can add your link to this blog... do check in here and post shorter posts about twice a week....

Jinnie's Blog

Hello Everyone! I think I got right this time, here is my link to my blog.

http://salsalicious.blogspot.com/

First Experience


















Upon arriving at Yale Art Museum, my first impulse was to experience the African Art display. I found myself to be captivated by many of the pieces. In fact, I found my children to be even more intrigued by the entire art experience. At the ages of nine and six, they brought my attention to some of the pieces that they found interesting. The first piece that stood out to all of us was the D'mba Mask. The mask is a representation of a beautiful mother. It represents the mother of fertility, protector of pregnant women, and presides over all agricultural ceremonies. It is from Guinea and was created ca. (appx.) around the Mid-20th century. It is an abstraction of the ideal female and her role in society. It is made from wood and brass, and some of the features that are highly respected by the Baga people are the flatten breasts, the scarification of the face and breast, the beak of the nose, and the cornrowed hair. The flatten breast means a women who has nurtured many children until adulthood. The scarification of the face and breast means stability within the conditions of the environment. The bird beak is in relations to the belief that birds are messengers from the spirit world. And the hair is done in a parallel pattern showing the scarification on the head, it is in relations to the patterns of the agriculture grown in the African fields. The mask is publicly shown at wedding ceremonies - used to give direction to new union. It is shown at funerals to initiate the dead, and during harvest to celebrate productivity.



The work of art that my nine year old son was drawn to the the "Processional Cross from Ethiopia. The crosses were made during the 17th century, and is made out of Copper and Alloy. I believe that he was drawn the crosses because of the symbolic representation of Christianity. The Procession Crosses are metal crosses that have historically been cast through the "lost-wax" process to ensure uniqueness. The central motif, or idea of the Procession Cross was to show "no bounds". The cross is derived from the Ethopian Orthoox Tawahido (Tewahedo) Church. It is an oriental orthodox church in Ethopia and was part of the Coptic Church. The Coptic Church was an indigenous christianity that was established by the Apostle Mark in Egypt. It was created in the middle of the 1st century. In 1950, the oriental Orthodox Church was giving the status of a hierarchical church whose head bishop did not have to report to any higher-ranking bishop (autocephaly). The collection that caught my eye to the point of my getting lost in the art was the Miniature Masks (Maa Go). The collection represent Guinea, Ivoy Coast, and Liberia by the people of Bassa's, Dan, Gbi, Kpeke, Lama, Mana, Mau, and We. The tiny masks are portraits of their owners, the owner ancestors, or the nature spirits. And for some reason I felt the spiritual magnitude within the creations. The significance for the mask being miniture was so that people could carry them in their pockets. They were used as inspiration for ritual power. They were mostly owned by high-ranking male ritual leaders, and was served as a portable point of contact with the religious community.This last piece of African art that I was very intrigued by was the Headdress in the form of a female Head. Created in Nigeria in the late 19th to early 20th century, you could see the resemblence of our african women. The Hair represents the strength and creative style that could go hand -in-hand with some of the styles that black women wear today. The smooth brown skin shows the beauty in black women, and the teeth show the slight impefection (to some point fo view) that some black may have with their teeth. We call the space in-between the front teeth a gap, and to some it represent imperfection, but to others it represent the strong gene and uniqueness.































Hi all!

This is the link to my blog

http://stephanie-itbegins.blogspot.com/

Sunday, November 9, 2008

I'm looking forwerd to this week! I am going to go to Yale this Tuesday. Nothing much to report until then.

It looks like everyone is starting to get into class! As a suggestion, if any one wants a road trip, drive up to mass and check out the Norman Rockwell museum. ITS AWESOME! I went last year. I think I may try and get up there with in the next few weeks. Its a blast. You can Make a nice day trip out of it.

Wadsworth Athenaeum

Wadsworth Athenaeum

My first museum experience took place on Saturday, November 8th 2008, at the Wadsworth Athenaeum in Hartford, Connecticut. This was a very exciting place for both my daughter and I to visit, since we had never been there before. Upon arriving at the museum, I was amazed at the size and the architecture of the building, which is in the shape of a gothic style castle. It felt very mystical and exhilarating, as if I was walking into the pages of an Arthurian romance novel.
Once we entered the museum, we were greeted by a very friendly museum staff member, who later turned out to be our docent. We were lucky enough to have had arrived when we did, or we would have missed that afternoon’s tour. The subject/focus of the tour was “a search for an identity in early American artwork.” Our tour started out in the main lobby, with a brief introduction about the museum. Next, we viewed several paintings from the past three-hundred years, from the late 1700’s up until the early 1930’s. It was amazing to see how the artists from these different time periods were able to capture the spirit and essence of American life and culture.
One of the first things I learned was that the Wadsworth is the oldest, continually operating museum in the country. It was built in 1842, by a man named Daniel Wadsworth, who was the son of a wealthy Connecticut merchant. He had started his collection in the early 19th century, with artwork ranging from Renaissance paintings to modern American master pieces. Also, this institution originally included additional Neo-Gothic buildings, such as the Connecticut Historical Society and the Hartford Public Library. Today, it houses over 50, 000 works of art in both permanent collections and exhibitions.[1]
One of the paintings that impressed me the most was the “The Declaration of Independence” by John Trumball, which I will describe in more detail throughout the rest of this paper. It was commissioned in 1817 by the United States Senate and was later hung in the Rotunda at the U.S. Capital in 1826. The purpose of this work was to commemorate this momentous historical event in our country’s history, when our founding fathers signed a document that would give Americans both personal and religious freedom. According to the Yale University Art Galley, Thomas Jefferson is thought to have given Trumball a first hand account of what happened on that historic day.[2] Although the scene depicted is not quite accurate (since not all members of the committee were present during the signing), it embodies the entire process that the colonies went through in order to gain independence from England, resulting in the formation of our country, the United States of America. It communicates a message of hope and promise to future generations, that all people have the right to live their lives the way they see fit, regardless of race or social status.
Trumball was born on June 6, 1756 in Lebanon, Connecticut and died in 1843. He was born into a wealthy and politically important family; his father was the Governor of Connecticut for several years.[3] He attended Harvard at the age of fifteen and it was here that he decided to pursue his love of drawing and painting.[4] After serving as an aide to George Washington in the American Revolution, he went on to study with Benjamin West, who is considered to be one of the most influential artists and teachers of art during the 18th and 19th centuries. [5] It was from his mentor, as well as his first-hand eyewitness accounts of important battles in the war, that lead this artist to cultivate his talent for historical painting.[6] John Trumball went on to become a very famous and accomplished artist, despite the fact that he lost sight in one of his eyes.[7]
In terms of the actual painting itself, the first thing I noticed was its size. The enormity of the piece helps to convey the magnitude of the event taking place on the canvas. One feels as if they are actually sitting in the Assembly Room in Independence Hall, while Thomas Jefferson, Benjamin Franklin, John Adams, Robert R. Livingston, and Roger Sherman presented the signed Declaration of Independence to Congress.[8]
What is also so striking about this painting is the fact that each of the forty-eight individuals is unique and depicts a real person who lived during this time period and was involved in this important process. The materials the artist used were oil paints and a canvas. His use of light helps illuminate the subjects in the painting, as well as draws attention to the colors and style of the men’s clothing, which is accurate for both the time period and their social class. The amount of detail involved in drawing and painting each person is amazing, given the fact that each one is drawn almost true to form, right down to the body-type and stature. It is interesting to note that several people from my tour group, including myself, were able to identify some of the men just by looking at the painting, which is a testimony to Trumball’s great talent and craftsmanship.

.




[1] www.wadsworthathenauem.org.
[2] http://artgallery.yale.edu /pages/collectionpopups1pc_amerps/details01.html.
[3] www.wikipedia.org.
[4] Ibid.
[5] www.artcyclopedia.com
[6] Ibid.
[7] www.wikipedia.org
[8] www.artcyclopedia.com

Hey Ron,

I really love your blog layout! I was trying to post a comment but I had some trouble, may be you can guide me.

Next Museum Visit

Hi Everyone,

I wasn't able to visit a museum this week due to transportation problems. I will be going to the Metropolitan next Saturday though and I'm hoping to fit in the New Britain Museum of American Art Thursday night hopefully.

New to the Blog.....

Hello team! Forgive me, for I am new to all of this. This week I will be visiting Yale Art, and Wadsworth Museum and (if approved) Peabody Museum. I truly enjoyed viewing your blogs and/or experiences to the museum. I can't wait to explore the wonderful art in these musuem. I am also looking forward in taking my two teenagers with me, since they practically live on the computer, I want them to see it in person not adapt to the virtual tours. My daughter was sick last week and I was held at home. However I am looking to busy week, wish me luck! Nice chatting with you all!

Wadsworth, Part Deux


I listed my incorrect blogspot address. Please check out my blog at http://hmcole.blogspot.com/. There you will find my adventures at the Yale British Art Center and the Wadsworth Athenaeum.


Helen

Saturday, November 8, 2008

The Wadsworth Athenaeum Experience


I too went to the Wadsworth Athenaeum but I went on Thursday evening and boy oh boy, what an experience. I invite you all to check it out on Sunday on my blog at http://hmcole@blogspot.com. I will be posting some of my pictures there as well as discussing the craziness I saw. To be honest, it was an experience just getting there as it was pouring rain on Thursday evening. But once we got there, the staff was very friendly. The guard's name was Helen so we hit off right away. Before I went, a co-worker recommended I check out artwork by Giuseppe Arcimbolo, an Italian painter who created portraits by using objects such as fruits and vegetables but I was unable to find anything. I asked 2 guards but they too were not able to help me so I am wondering if maybe when he went, it was a temporary exhibit. I was unable to take a lot of pictures as it was not as clear what the permanent collection was and I felt very rushed.

Visiting to the Wadsworth Atheneum

Hello everyone,
Today is Saturday, and I will be visiting the Wadsworth Atheneum. I am looking forward to seeing the European Art, and the American Painting & Sculptures.

Linda